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NEW SAVANNA
intimations of a new world
Wednesday, December 14, 2011
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2012
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March
(4)
Feynmann, John von Neumann, and Mental Models
Support Michael Sporn's Film about Edgar Allen Poe...
Philosophy: Ontics or Toothpaste for the Mind (Rea...
Nazi Regulations Concerning Funk 'n Freedom
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February
(16)
The Early History of Modern Computing: A Brief Chr...
Bell Labs, Innovation for the Ages
Computing Encounters Being, an Addendum
On the Origin of Objects (towards a philosophy of ...
Symposium on Graeber’s Debt
The Nightmare of Digital Film Preservation
Bleg: Subjective Sound, Mad Men and Apocalypse Now...
Standard Eye Play
We Need a Politics of Jubilee
Objects and Graeber's Debt
The Parable of the Unforgiving Servant
Music and ADD
Mad Men
Strange Views, Not so Strange: Cities, Green, and ...
Geoffrey Harpham: In Praise of Pleasure
A Dirty Dozen Sneaking up on the Apocalypse
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January
(7)
In Memoriam: William Benzon
ADD: Drugs Don't Work Long Term
More Fishy Business
Fish Argues Against Interpretation Via Digital Hum...
The Conversation Continues: What is Graffiti?
Listening is All
As Actors Prepare, so Should Critics Learn
▼
2011
(634)
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December
(16)
Animal, Vegetable, or Mineral: What is Graffiti?
The Peregrinations of Agency vis-à-vis the Text
OOO is Very Abstract, but so is KR
Russell Hoban: Disappearances
Alenka Pinterič
Community Bands in America
New coinage: "Assholocracy"
Vines
Tank Tankoro, by Gajo Sakamoto
Another one of those shots where the sun burns a w...
David Graeber: Anarchism, Debt, and Militarism
What’s an Object, Metaphysically Speaking?
A Look Around a Tree
Underbelly Links
Conference on Psycho-Ontology
How Many Tables?
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November
(48)
Introduction: Fantasia and Me
Verrazano-Narrows Bridge
Sunshots 2.0
Episode Order in Fantasia: Revealing the Human Min...
Delicate Matters
Be It Ever so Humble, There’s no Place Like Elysiu...
In Plato's Cave
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