Wesley Yang with a New York Times profile of Eddie Huang, son of Chinese immigrants:
Huang’s memoir records an unusual life trajectory: from tormented outsider, to angry adolescent who would twice be arrested on assault charges, to marijuana dealer, to high-end street-wear designer (under the “Hoodman” label, which eventually led to a lawsuit from Bergdorf Goodman), to corporate lawyer, to successful restaurateur. The book fixates on themes of pain and punishment.
Like many an outsider, he identified with black culture:
H/t 3 Quarks Daily.Even if Huang’s attraction to black culture is played for cheap laughs, to him it is an essential element of his person. It provides the missing half of the fully human entity that the Asian-American who consents to the model-minority myth has to relinquish. A model minority is a tractable, one-dimensional simulacrum of a person, stripped of complexity, nuance, danger and sexuality — a person devoid of dramatic interest. Huang is something else: a person at war with all the constraints that would fetter him to anything less than an identity capacious enough to contain all his contradictions and ambivalence.