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Friday, November 1, 2019

Protests can be joyous!


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From "Jamming for Peace", way back on March 22, 2003, before the invasion of Iraq:
So there we were, a half dozen horns, perhaps a dozen percussion, all within a 20-yard radius. We’d come to the demo in ones, twos and threes, managed to home-in on one another’s sounds, and stayed in floating proximity for the two or three mile walk down Broadway to Washington Square. Sometimes we were closer, within a 5 or 6-yard radius, and sometimes we sprawled over 50 yards. The music was like that too, sometimes close, sometimes sprawled.

When the march slowed to a stop, one of the djembe players would urge the percussionists to form a circle. The horn players executed punctuating riffs as one person after another moved into the circle’s center to dance their steps. These young women clearly had taken African dance classes. When the demo started to move, the dancers dispersed into the crowd, the circle dissolved, and we starting moving forward.

Sometimes the music made magic. The drummers would lock on a rhythm, then a horn player – we took turns doing this – would set a riff, with the four or five others joining in on harmony parts or unison with the lead. At the same time the crowd would chant “peace now” between the riffs while raising their hands in the air, in synch. All of a sudden – it only took two or three seconds for this to happen – a thirty-yard swath of people became one. Horn players traded off on solos, the others kept the riffs flowing, percussionists were locked, and the crowd embraced us all. You walked with spring and purpose. Even as the crowd chanted “peace” I was feeling “Onward Christian Soldiers” and “Battle Hymn of the Republic” in my mind and in my step.

The tribe was rising.

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