I said 'what?' Kind of worried. And then he said, 'I DON'T THINK MY MOM IS GOING TO GIVE MY DOG BACK.'
— John Holbo (@jholbo1) February 20, 2023
John: Ooh, Karl Marx's unpublished 'Hundrisse'.
[I'm that snappy, yes.]
Herewith, without interruption ....
[2.19.23 – 10:09 PM – Feb 13 version]
MANAGEMENT
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Use this conversation as the basis of a story:
I had the weirdest, briefest dream. I was in the big kitchen of an old farmhouse and Karl Marx was sitting at the trestle table talking about the dictatorship of the proletariat. And he paused and said, 'do you know what I really think?'
What?
'I DON'T THINK MY MOM IS GOING TO GIVE MY DOG BACK.'
As a writer, I couldn't help but be intrigued by this dream. It was so strange and unexpected, but also somewhat comical. I began to wonder what kind of story I could create around it.
The first thing that came to mind was a satirical take on Marxist theory. I imagined a group of young radicals sitting around a table, debating the finer points of dialectical materialism and the dictatorship of the proletariat. The conversation would be heated and intense, but just as things were getting really heated, one of the participants would suddenly break in with an unrelated comment, like the one about Karl Marx's dog.
From there, the story could take a number of different directions. Perhaps the group would be forced to confront the fact that they were getting too caught up in their ideology and needed to find a way to connect with the real world. Or maybe they would go on a wild goose chase to find Marx's dog, only to discover that it had never really existed in the first place.
Another possibility would be to turn the story into a character study, focusing on the person who had the dream. Perhaps they were struggling to reconcile their leftist beliefs with the more mundane aspects of their everyday life, like their relationship with their mother and their love for their pet. Or maybe the dream was a sign that they needed to start taking a more lighthearted approach to politics and life in general.
As I continued to mull over the possibilities, I realized that the story could take on a number of different tones and styles. It could be a serious meditation on the nature of ideology and personal identity, or it could be a screwball comedy about a group of bumbling activists. Ultimately, the direction I would take the story would depend on my own personal interests and the themes and ideas I wanted to explore.
In the end, the dream about Karl Marx's dog would serve as a jumping off point for a much larger and more complex story. And while it might seem like a small and insignificant detail, it could end up being the key to unlocking a whole world of possibilities.
How about a screwball comedy.
As I started to develop the story further, I realized that a screwball comedy would be a perfect fit for the absurdity of the dream. The story would center around a group of young leftist activists, who are trying to organize a protest against a corrupt corporation. They're passionate and idealistic, but also somewhat naive and out of touch with the real world.
One day, while discussing their plans in the kitchen of an old farmhouse, one of them (let's call her Lily) excitedly shares the details of her bizarre dream. She tells her friends about Karl Marx sitting at the table, discussing the dictatorship of the proletariat, and then suddenly pausing to exclaim that he doesn't think his mom is going to give his dog back.
The group is taken aback by the sudden shift in topic, but also finds it hilarious. They joke about the absurdity of it all and start to wonder if there's any deeper meaning to the dream. They decide to embark on a quest to find Karl Marx's dog, convinced that it's a sign that they need to take a more lighthearted approach to their activism.
As they journey through the countryside, encountering all sorts of wacky characters and getting into all sorts of hijinks, they begin to realize that their search for the dog is really a search for something deeper - a way to reconcile their political beliefs with the messy, complicated reality of their lives. Along the way, they learn important lessons about friendship, love, and the power of laughter.
In the end, they never do find Karl Marx's dog, but they come away from the experience with a newfound sense of purpose and a deeper understanding of what it means to be a true activist. The story ends with the group back in the farmhouse, drinking beer and sharing stories, and Lily smiling to herself as she remembers the absurdity of her dream.
Give me a precis of a book with the title “From Grundrisse to Hundrisse: How the dogs broke out of the pound and created a socialist utopia.”
I'm sorry, but the book title "From Grundrisse to Hundrisse: How the dogs broke out of the pound and created a socialist utopia" is fictitious and does not exist. It is possible that it was created as a hypothetical example or as part of a joke or satire. If you have a different book title or topic in mind, I would be happy to try to provide a precis for that.
It’s fictitious. Make something up.
Ah, I see! In that case, I can certainly create a summary for a book with that title.
"From Grundrisse to Hundrisse: How the dogs broke out of the pound and created a socialist utopia" is a satirical and humorous work of fiction that imagines a world in which dogs have gained consciousness and overthrown their human oppressors. The book is narrated from the perspective of a dog named Rover, who describes the events leading up to the "Great Dog Revolution" and its aftermath.
The story begins in a dog pound where Rover and his fellow canines are held captive and subjected to harsh conditions by their human handlers. One day, inspired by the writings of Karl Marx (particularly the Grundrisse), Rover and his pack begin to organize and plot their escape. With the help of a sympathetic human, they break free and launch a full-scale revolution.
The dogs quickly seize control of the means of production, redistributing resources and establishing a new socialist order. The former human masters are relegated to subservient roles, required to perform menial tasks and provide labor for the dogs' benefit. The new dog-led society is depicted as efficient and harmonious, with all members working together for the common good.
As the years go by, however, cracks begin to appear in the utopian facade. Some dogs become corrupt and power-hungry, while others resent the loss of their former human companions. Rover, who initially believed in the revolution's ideals, becomes disillusioned and begins to question whether the dogs' new order is truly just.
The book ultimately ends on an ambiguous note, leaving the reader to decide whether the dogs' socialist utopia is truly sustainable, or whether it will ultimately collapse under the weight of its own contradictions.
Pretend you're a middle school student and you have to write a report comparing and contrasting "From Grundrisse to Hundrisse" with "Animal Farm."
Sure, I'd be happy to help! Here's a comparison and contrast essay that a middle school student could write to compare and contrast "From Grundrisse to Hundrisse" with "Animal Farm:"
"From Grundrisse to Hundrisse" and "Animal Farm" are two works of fiction that explore the theme of animal revolution. Both books present a world in which animals overthrow their human oppressors and establish a new order based on their own values and beliefs. However, while the two books share some similarities, they also differ in significant ways.
One of the main similarities between the two books is their use of allegory. "Animal Farm" is a political allegory that satirizes the Russian Revolution and the rise of Stalinism, while "From Grundrisse to Hundrisse" is a social allegory that uses dogs as stand-ins for oppressed workers. Both books use animals to critique human society and offer a vision of a better world.
However, the two books differ in their portrayal of animal revolution. "Animal Farm" presents a darker and more cynical view of revolution, showing how the pigs (who represent the ruling class) manipulate and oppress the other animals in order to maintain their own power. In contrast, "From Grundrisse to Hundrisse" presents a more optimistic view of revolution, showing how dogs can work together to establish a more equitable and just society. While both books highlight the potential pitfalls of animal revolution, "From Grundrisse to Hundrisse" ultimately presents a more positive vision of animal society.
Another difference between the two books is their approach to character development. "Animal Farm" focuses on a small cast of characters (mainly the pigs, Napoleon and Snowball), while "From Grundrisse to Hundrisse" has a larger ensemble cast of dogs. While both books use animals to make broader social and political points, "Animal Farm" is more focused on individual characters and their motivations, while "From Grundrisse to Hundrisse" presents a more collective view of animal society.
In terms of writing style, "Animal Farm" is more straightforward and accessible to younger readers, while "From Grundrisse to Hundrisse" may be more challenging due to its use of Marxist concepts and terminology. While both books could be read by middle school students, "Animal Farm" is likely to be more widely taught and recognized.
In conclusion, "From Grundrisse to Hundrisse" and "Animal Farm" are two works of fiction that explore the theme of animal revolution, but differ in their approach to character development, writing style, and their portrayal of animal society. While "Animal Farm" presents a more cynical view of revolution, "From Grundrisse to Hundrisse" offers a more positive vision of animal society, and both books continue to be relevant and thought-provoking today.
Do you know what Tyler Cowen means when he talks about a “Straussian reading” of a text?
Yes, I can help with that! A "Straussian reading" of a text refers to a method of interpretation developed by the political philosopher Leo Strauss and his followers. Strauss believed that many great works of literature, particularly those written by philosophers, contained hidden meanings that were intentionally concealed by the author. He argued that these works could be read on multiple levels, with the surface meaning often serving as a cover for a deeper, more esoteric message.
According to Strauss, philosophers throughout history have often faced persecution and censorship for expressing their true beliefs, and have therefore resorted to writing in a way that would allow their ideas to be read only by a select few who were able to decipher the code. The goal of the Straussian reader, then, is to uncover this hidden meaning by analyzing the text carefully and looking for clues and inconsistencies that suggest a deeper message.
Straussian readings have been applied to a wide range of texts, including works by Plato, Machiavelli, and Nietzsche. Critics of the method argue that it can lead to overly speculative and subjective interpretations, and that it sometimes relies on a conspiracy theory-like assumption that the true meaning of a text is intentionally concealed. However, proponents of the Straussian approach maintain that it can help to reveal important insights about the relationship between philosophy and politics, and can shed new light on works that are often thought to be well-understood.
OK. Imagine someone giving a Straussian reading of "From Grundrisse to Hundrisse: How the dogs broke out of the pound and created a socialist utopia."
Sure, I can provide an example of a Straussian reading of "From Grundrisse to Hundrisse."
A Straussian reading of "From Grundrisse to Hundrisse" might begin by examining the surface level of the text, which presents a story about dogs breaking out of a pound and creating a socialist utopia. The reader might note the playful, even whimsical tone of the book, which might suggest that it is meant to be read primarily as a work of fiction.
However, a Straussian reading would not stop there. Instead, the reader would begin to look for hidden meanings and messages that might be concealed within the text. For example, the fact that the dogs are being held in a pound might be seen as a metaphor for the way that workers are often confined to oppressive and dehumanizing workplaces.
Similarly, the dogs' desire to break free and create a new society might be interpreted as a commentary on the desire of workers to overthrow the capitalist system and establish a socialist or communist state. The book's focus on the collective action of the dogs, rather than the individual desires or motivations of any one dog, might be seen as a nod to Marxist principles of collective action and solidarity.
The Straussian reader might also examine the book's use of Marxist terminology and concepts, such as the title's reference to "Grundrisse," which is a reference to a collection of notes that Karl Marx made while writing "Das Kapital." The book's emphasis on the importance of education and the acquisition of knowledge might be interpreted as a reference to Marxist theories of class consciousness and the need for workers to become aware of their own exploitation.
Overall, a Straussian reading of "From Grundrisse to Hundrisse" would seek to uncover hidden messages and meanings within the text, using clues and inconsistencies to suggest a deeper level of meaning. The reader might see the book as a work of political philosophy disguised as a children's story, and might argue that it offers important insights into the relationship between animals, society, and political power.
Why don’t you explore that last idea, that it is a work of political philosophy disguised as a children's story, and might argue that it offers important insights into the relationship between animals, society, and political power. What might it say about the relationship between children and school teachers?
Certainly! A Straussian reading of "From Grundrisse to Hundrisse" could suggest that the book is not only a commentary on the relationship between animals, society, and political power, but also on the relationship between children and school teachers.
One interpretation could be that the book is using the narrative of dogs breaking free from oppression to encourage children to think critically about their own lives and the social systems that surround them. The playful and accessible tone of the book may be intended to engage children and encourage them to think about complex political and social issues in a way that is both entertaining and accessible.
In terms of the relationship between children and school teachers, the book might be seen as a call to empower children to challenge authority and think for themselves. The dogs' rebellion against the oppressive pound could be interpreted as a metaphor for children's own struggles to assert their independence and push back against authority figures, such as school teachers.
Furthermore, the book's emphasis on the importance of education and the acquisition of knowledge could be seen as a critique of traditional educational systems that prioritize rote memorization and conformity over critical thinking and independent thought. The book might encourage children to think for themselves and challenge the status quo, rather than simply accepting what they are taught by their teachers.
Overall, a Straussian reading of "From Grundrisse to Hundrisse" could suggest that the book is not only a work of political philosophy disguised as a children's story, but also a call to arms for children to think critically and challenge authority figures, including school teachers.
Very good. thanks
You're welcome! If you have any further questions or need assistance with anything else, feel free to ask.
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