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Tuesday, January 30, 2024

Cognitive Foundations of Fictional Stories & Their Role in Developing the Self

Dubourg, Edgar, Valentin Thouzeau, Beuchot Thomas, Constant Bonard, Pascal Boyer, Mathias Clasen, Melusine Boon-Falleur, et al. 2024. “The Cognitive Foundations of Fictional Stories.” OSF Preprints. January 26. doi:10.31219/osf.io/me6bz.

Abstract: We hypothesize that fictional stories are highly successful in human cultures partly because they activate evolved cognitive mechanisms, for instance for finding mates (e.g., in romance fiction), exploring the world (e.g., in adventure and speculative fiction), or avoiding predators (e.g., in horror fiction). In this paper, we put forward a comprehensive framework to study fiction through this evolutionary lens.The primary goal of this framework is to carve fictional stories at their cognitive joints using an evolutionary framework. Reviewing a wide range of adaptive variations in human psychology–in personality and developmental psychology, behavioral ecology, and evolutionary biology, among other disciplines –, this framework also addresses the question of interindividual differences in preferences for different features in fictional stories. It generates a wide range of predictions about the patterns of combinations of such features, according to the patterns of variations in the mechanisms triggered by fictional stories. As a result of a highly collaborative effort, we present a comprehensive review of evolved cognitive mechanisms that fictional stories activate. To generate this review, we (1) listed more than 70 adaptive challenges humans faced in the course of their evolution, (2) identified the adaptive psychological mechanisms that evolved in response to such challenges, (3) specified four sources of adaptive variability for the sensitivity of each mechanism (i.e., personality traits, sex, age, and ecological conditions), and (4) linked these mechanisms to the story features that trigger them. This comprehensive framework lays the ground for a theory-driven research program for the study of fictional stories, their content, distribution, structure, and cultural evolution.

H/t Abbas Raza @3QD.

You might want to augment and supplement that with a look at an old paper of mine in which I address the development narrative forms in relation to structuring of the self, The Evolution of Narrative and the Self (1993)

Abstract: Narratives bring a range of disparate behavioral modes before the conscious self. Preliterate narratives consist of a loose string of episodes where each episode, or small group of episodes, displays a single mode. With literacy comes the ability to construct long narratives in which the episodes are tightly structured so as to exhibit a character's essential nature. Complex strands of episodes are woven together into a single narrative, with flashbacks being common. The emergence of the novel makes it possible to depict personal growth and change. Intimacy, a private sphere of sociality, emerges as both a mode of experience depicted within novels and as a mode in which people read novels. The novelist constructs a narrator to structure experience for reorganization.

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