Originally published in The Valve in April 2008.
I’ve now seen 17 episodes of The Sopranos – the entire first season plus the first four episodes of the second season – and I am getting a feel for the show. But that doesn’t mean I understand it in any critical sense, though I certainly enjoy it and think it very good. Fact is, I’ve now seen enough that I’m wondering: What’s it about?
Yes, I know, it’s about Tony Soprano, his shrink, and his two families. The one family, of course, is his wife and kids and so forth, while the other consists of his business associates in the mob. There is some overlap between the two groups, and that is certainly one of the things this series is about, negotiating one’s life between home and workplace. That is hardly a novel problem; on the contrary, it is ubiquitous. Most adult Americans face it in some way, but not quite this way. Perhaps that is part of its appeal, a defamiliarizing look at a familiar situation.
This particular theme was brought home to me in episode nine, “Boca,” as in Boca Raton, but also, according to the Wikipedia, a pun on bocca, Italian for “mouth,” and, by extension, gossip. Corrado Soprano, Tony’s nominal boss in the mob (and his uncle as well; he’s often called “Uncle Junior”) takes his long-term mistress to Boca Raton, where they enjoy a satisfying romantic interlude in which she compliments Junior on his skill in cunnilingus. I want to set this plotline aside, however, to look at the other one, which involves Ally Vandermeed, a friend of Tony’s daughter, Meadow, and the coach of their high-school soccer team.
Coach Hauser is very good and his team has a chance of going to the playoffs. He’s so good that he’s been recruited to coach at the University of Rhode Island. When this news hits the papers, Tony and two of his friends, who also have daughters on the team, are very upset. They decide to see if they can convince the coach to turn the job down.
One of these friends, Silvio Danto, is Tony’s consigliore in the mob. The other one, Artie Bucco, has known Tony since childhood, but is not involved in the mob. Artie’s a restaurateur, as was his father, but, of course, he knows that Tony’s a gangster. He has no foreknowledge of what Tony and Silvio do to persuade the coach to stick around.
First, they send him a 50-inch wide-screen surround-sound TV, which he angrily refuses, accusing Tony’s guys of extortion. They refuse his refusal and leave the box in his driveway. At this point I began to get upset. It seemed to me that Tony was out-of-line here. Then Tony had another henchman, Chris, steal the coach’s dog only to return it to him. Yeah, I felt, it’s too bad that the coach is leaving, but Tony should not be attempting to make him stick around, not like this.