I’m currently working my way through The Rockford Files for the fourth, if not the fifth, time. I watched the program when I was originally broadcast back in 1974-1980, and I’ve watched it online several times in this century. Part of the program’s appeal certainly comes from the star, James Garner.
Garner is a handsome middle-aged man, six feet and perhaps an inch or two tall. He plays an easy going character, James Rockford, who is masculine without being macho. He can handle himself in a fight, which he frequently has to do, but he’s not a martial artist or a superhero. He’s competent, but vulnerable and takes his lumps. He likes sports, going to games, going fishing, often with his dad. He’s single, but is attractive to women, and kind. He’s had affairs in the past, and has one or three in the course of the show, he may even have been close to marriage.
Much of the appeal stems from the fact that he’s an interstitial character, if you will. He falls between the keys, lives in the cracks. While he makes a living, just barely, he’s not chained to a 9-to-5 job. He’s not been broken to harness.
He’s an ex-convict who’s been pardoned. Was he ever guilty? Probably not, but I don’t recall off hand. Does it matter? He’s damaged goods. He lives in a beat-up trailer on the beach at Malibu, a marginal dwelling in a desirable location.
He makes his living as a private investigator, which is depicted as a marginal occupation in this, and other shows, but not always. While he’s a decent and honest man, he does quite a bit of sneaking around and more than a little deception. There are a number of episodes where he orchestrates a complex con, though on behalf of a good cause. Always.
He’s got a good friend on the police force, Lt. Dennis Becker, but is otherwise persona non grata with the police force. And he’s friends with a good lawyer, Beth Davenport, who once had a crush on him. He’s also got an ex-con pal, Angel Martin, who’s a bit more marginal than he is, and cowardly as well, yet somehow manages to retain Rockford’s loyalty.
All of which is to say, he doesn’t work within the confines of work-mode, as I’ve been writing about it. Life is not easy for Jim Rockford. He’s often broke, and in at least one episode that I can remember, in danger of losing his home. But his life is interesting and challenging.
I wonder, off hand, how many TV shows present us with lives that are NOT dominated by work mode? And in work-place shows, just how is work depicted? How much entertainment presents us with alternatives to work-mode? And how often is the alternative presented as a critique of work-mode?
Is The Rockford Files a critique? I don’t think so. It’s not pointed enough. Perhaps that’s why it’s been so popular. It presents a clear alternative, a clear difference-from, but it never goes so far as to present the work-a-day world as a soul-destroying trap.
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Also about The Rockford Files: Myth-Logic and a Lady Librarian in The Rockford Files, Myth-Logic and a Lady Librarian in The Rockford Files 2.
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