From the very end her year-end column in The NYTimes, Dec. 30, 2021:
But I digress: The reason I liked the “The Matrix Resurrections” and “Don’t Look Up” is because these are both stories about the limits of big tech, big media and big politics and the importance of heartfelt, real family connections. These are critically important ideas as we move into the next iteration of tech, which will have a lot more to do with virtualizing everything. How we evolve and connect as humans as the world moves to VR is a critical issue. [...]
So, too, Adam McKay’s much-maligned “Don’t Look Up.” If you ask me, you should ignore the critics. Yes, there are some obvious plot points and over-the-top characterizations, but ultimately it’s a story about the gravity of humanity, however doomed it becomes because of its most pernicious members. That includes, particularly, the tech billionaire Peter Isherwell, a part played to geek perfection by Mark Rylance, who has managed to cohesively mash together the worst parts of Jeff Bezos, Elon Musk and Zuckerberg.
Isherwell’s character hits it on the nose with his know-it-all certainty and data-driven lunacy, calling to mind tech’s ruling class, with its proclivity to be frequently wrong but never in doubt. And within the movie is a caution, that we ought not let Big Tech alone govern the world we share. “We really did have everything, didn’t we?” says the feckless astronomer played by Leonardo DiCaprio in the movie’s last scene.
I feel the same way about the Isherwell character.