From Whitney Trettien, Creative Destruction/"Digital Humanities":
H/t:Today, the digital turn in its various constellations offers the best potential for fostering resistance to the conservative forces that seek to devalue interpretive inquiry. This is because the nature of the work itself forces scholars to attend to that frictive zone where critical acts are taken up by technologies, woven into the material world, and entangled within a network of social and cultural practices. The pressures of this seemingly new kind of work have opened a fruitful space of collaborative inquiry around issues like the politics of information storage, the economics of the scholarly monograph, and the role of the public domain. By drawing attention to systems of mediation, this shift has also galvanized discussion around access and disability, as well as the critical valences of different modes of representation and how they invisibly shape discourse. And it has empowered scholars to take publishing (by which I simply mean making an idea public) under their own control while developing frameworks for accreting value to previously undervalued practices, such as editing, technical design, and creative criticism. Of course, simply engaging in digital or collaborative scholarship alone won’t result in a more equitable academy, nor is such work any more inherently resistant than “literary-interpretive practices” are. Rather, the productive entanglement of the humanities’ interpretive work and its self-conscious mediation holds the greatest possibility for catalyzing change right now.This possibility has most been realized at the fecund node where the concerns of book history, media studies, information sciences, and digital scholarship meet. I don’t think this is an accident. Historians of information and media technologies deal with tangible objects and infrastructures, and as such are accustomed to thematizing the points of contact between immaterial ideas and the material systems that store, archive, and communicate them. Scholars working across these areas know well that archives are not neutral zones of accumulation but battlegrounds of interpretation; that no discourse remains untainted by the technologies that mediate it; and that moments of media transition — which are all moments — are always hybrid, containing simultaneously progressive and regressive values. Because of their methodological commitments, these fields are capable of historicizing the emergence of electronically-mediated methods, thereby deconstructing the false oppositions that often unwittingly guide both critics and advocates, such as humanities/neoliberalism or thinking/making. Thus historians of text technologies are best poised to seize the technological and rhetorical upheavals of our time as an opportunity to restructure the humanities in ways that are both more culturally salient and politically potent.
Brilliant. The 2 paras. starting at “This is the problem, and the danger”, & ensuing historical exemplum are gold. https://t.co/Sfh51XPTB9— Alan Liu (@alanyliu) August 24, 2016