Happy new year ! And happy public domain day with a major new entry: the original design of Mickey Mouse!
— Alexander Doria (@Dorialexander) December 31, 2023
For the occasion I’m releasing Mickey-1928 a model on @HuggingFace that can generate pictures of Mickey, Minnie and Pete from 1928. https://t.co/Cy8am3Ra5w pic.twitter.com/XiWR837hmE
Sopan Deb, These Classic Characters Are Losing Copyright Protection. They May Never Be the Same. NYTimes, Jan. 1, 2024. The opening paragraphs:
If you’re the creative type and you’re struggling to come up with your next idea, do not fear: some big works, including the original version of Mickey Mouse, are entering the public domain on Jan. 1 in the United States.
And if, on the other hand, you prefer your Disney characters to be cute, cuddly and never-changing, well … you might want to stop reading.
In 2024, thousands of copyrighted works published in 1928 are entering the public domain, after their 95-year term expires.
This means that those characters and stories can be remade — on the page, stage or screen — without permission. (Finally, I can make that Peter Pan musical where a middle-aged Peter laments unexplained back pains at the end of Act I.)
“It’s important for the preservation of our cultural record, for meaningful access to older works for inspiring future creativity,” Jennifer Jenkins, the director for the Center for the Study of the Public Domain at Duke Law School, said.
The crème de la crème of this year’s public domain class are Mickey Mouse and, of course, Minnie, or at least black-and-white versions of our favorite squeaky rodents that appeared in “Steamboat Willie.” Disney is famously litigious, and this copyright only covers the original versions of the character.
Near the end, some possibilities:
The playwright Lindsey Ferrentino proposed a mash-up of titles.
“Maybe a production of ‘Threepenny Opera’ with the character of Mackie Messer recast as Mickey Mouse. Very Brechtian,” Ferrentino said. “Don’t ask me to write it though.”
The steamy “Lady Chatterley’s Lover” sparked a lot of interest. Neil Meron, a producer of the Broadway musical “Some Like It Hot,” suggested “a gender fluid immersive” musical adaptation with a score from Sam Smith.
Karen Chee, a writer for “Late Night With Seth Meyers,” pitched “Lady Chatterley’s Millions of Cats.” Ah, but let’s flesh this out! Chee added: “A lonely wife who forgoes sexy times to instead adopt millions of cats.” (Of course.)
From Bob Gale, co-writer of both the film and musical versions of “Back To The Future”: “Is Mickey the new lover of Lady Chatterley, or is he only a voyeur?”
There's more at the link
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