I've criticism Graham Harman's notion of counter-factual criticism in a series of posts on this blog (e.g. in this post, where I discuss Greene, Shakespeare, and Lévi-Strauss), which I've also rolled up into a PDF, Reading with Graham.
If you want to see some counter-factual criticism in action, or something very like it–as I don't really know, concretely, what Harman had in mind–see Tim Perper's comments in this discussion of Miyazaki's Porco Rosso.
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