Showing posts with label wlb_melancholy. Show all posts
Showing posts with label wlb_melancholy. Show all posts

Thursday, February 5, 2026

Coming out of melancholy, again

I've written about my propensity to lapse into a melancholy state periodically, seemingly during the winter months, something I've reported on at length in an article in 3 Quarks Daily (3QD). But no, I hadn't. I slipped into another melancholy phase in September of last year, something you can check easily enough by looking through the monthly entries in the Blog Archive (to the right). You'll see a drop from 137 posts in August to 27 in September, and it goes down from there.

This graphs depicts the change:

The graph also shows me coming out of the melancholy hibernation phase in January, early January in fact.

If this were strictly a matter of seasonal affective disorder (SAD) then both of those dates are too early. In the past I haven't gone into melancholy until December or January, and I've not come out until April or even May. Whatever's going on isn't SAD. That may be a contributing factor, but it's not the whole story. Something else is going on. I argued in that 3QD article that it's my cycles of creativity. I go into mental hibernation (aka melancholy) so I can reorganize and come out with new approaches.

That certainly seems to be what's going on this time. I'm buzzing with new ideas across the range of my projects, my book (Play: How to Stay Human in the AI Revolution), my research with Ramesh Viswanathan on LLMs, my thinking about virtual reading, and my thinking about "Kubla Khan" and Coleridge. Things are popping.

Now, back to the chart. While I'm definitely on the upswing, I don't seem to be back to my previous level of productivity. That's an illusion. I've been spending time on my book, and that work doesn't result in blog posts. So I may or may not return to my previous level of posting. It depends, on this and that. I may, for example, post more material generated by either Claude or ChatGPT. We'll see.

Wednesday, June 4, 2025

Melancholy, Growth, and Mindcraft: A Working Paper

I've posted a new working paper to the web. Title above, links, abstract, table of contents, and introduction below.

Academia.edu: https://www.academia.edu/129757296/Melancholy_Growth_and_Mindcraft_A_Working_Paper
SSRN: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5282480
ResearchGate:  https://www.researchgate.net/publication/392400067_Melancholy_Growth_and_Mindcraft

Abstract: This document explores the relationship between melancholy, creativity, and mental growth through the lens of personal blogging patterns. The author, William Benzon, analyzes his 14-year blogging frequency data as a proxy for mood fluctuations, revealing periodic slumps initially attributed to Seasonal Affective Disorder. However, examining recent years shows patterns contradicting SAD, suggesting these cycles instead reflect periods of mental reorganization facilitating creativity. Drawing parallels to computational processes like code refactoring and neural network training, Benzon proposes that depressive episodes serve as adaptive "stepping back to better jump forward" phases. The author quantifies his intellectual growth by tracking blog tag proliferation (expanding at approximately 7% annually), representing cognitive differentiation. The document concludes by exploring broader implications for a society where technological acceleration necessitates continual mental retooling, advocating for new forms of "mindcraft" to navigate these transitions. This analysis connects personal experience with wider questions about depression, creativity, and adapting to an AI-driven future.

CONTENTS

Introduction: Tracking my mind across 14 years 3
More about Growth, Melancholy, and Mindcraft 3

The core argument 4
Clarifying the core 5
Where I was headed 6

Melancholy and Growth: Toward a Mindcraft for an Emerging World 7

My Posting Habits Over the Last Decade 8
Depression and Mental Growth 12
Measuring My Mental Growth 15
Some More General Observations: Mind and Brain 18
Conclusion: Crafting Minds 20
Appendix 1: Secondary features of my posting pattern 21
Appendix 2: New Savanna tags as of December 1, 2024 21
Coming out of a melancholy period [down phase] 24

Discussions with Claude 28

Neural maturation, cerebral plasticity, and the adaptive value of vacations 28
Depression and Creativity 33
From a tag collection to a digital companion and beyond 37

Introduction: Tracking my mind across 14 years

This working paper is a bit unusual. It is autobiographical in the sense that it is about events in my life as they have unfolded over time. It is, however, very abstract. The events are the posting of entries to my blog, New Savanna, and they are present in this document only as monthly totals depicted in several charts. The number of posts in a month is a clear indication of my overall mood for that month. The primary objective of this paper is thus to analyze and comment on that pattern, which seems to indicate yearly cycles of creativity and melancholy.

My secondary objective is to analyze the production of tags making blog entries and to take that production as a measure of mental growth. While both of these exercises are somewhat speculative, this is more speculative than the first.

About the sections of this working paper:

More about Growth, Melancholy, and Mindcraft: This both introduces the argument without all the analysis and commentary and clarifies the structure of the argument, separating it into two phases.

Melancholy and Growth: Toward a Mindcraft for an Emerging World: This is the main argument, presenting that basic data about posting frequency and then about annual increase in the number of tags. There is an appendix listing all of the tags as of December 1, 2024 (I’ve added more since then.)

Coming out of a melancholy period [down phase]: This documents my posting and sleeping patterns in October and November of 2024 and my sleeping patterns from November 2024 through the end of January 2025. When I’m coming out of a melancholy phase I tend to wake up during the night and do some work, whether simply cruising the web or writing and posting. During this most recent “awakening” I decided to make entries on my Facebook page to give notice that I was awake and working in the night.

Discussions with Claude: It is now my habit to consult with both Claude and ChatGPT on projects I’m working on. While some sessions are merely informational, others involve more intense working-through-ideas. This contains three such discussions: 1) neural maturation, 2) depression and creativity, and 3) the use of tag count as an index of mental growth

Thursday, January 2, 2025

Some anecdotal evidence for segmented sleep: When I've been up during the night in December 2024

Over the years I've developed an interest in segmented sleep, as it is called. Instead of sleeping straight through the night for eight hours, or seven or nine, whatever, you have several sleep sessions interspersed with sessions where you do other stuff. This happens to me during a creative phase. I went into a down phase a couple of months ago and started coming out in the third week of November. I've had a LOT of segmented sleep since then. 

One of the things I'd do in one of my middle-of-the-night work sessions is make an entry on my Facebook page indicating that I was awake. I don't know just when I started doing that, but the first time I did it I posted a video clip of one of those "Time to make the donuts" commercials from the 1980s. I've been doing that every once in awhile since then. But other things as well.

This time I decided to keep a systematic record. Here's the record for December, 2024. I was up during every night except the 6th, 10th, and 13th. In some nights I was up more3 than once. I'll try to keep a record through January and then we'll see.

Time
Date
Content of Facebook notice

4:18 AM

12.1.24

Awake in the middle of the night. Good thoughts. All’s well.

3:22 AM

12.2.24

Middle of the night. Awake. Good thoughts.

4:02 AM

12.3.24

4:02 AM Tue 12.3.24 [I simply noted the time]

4:30 AM

12.4.24

Just another marker.

3:36 AM

12.5.24

3:38 AM & I’m just cruising by.

5:20 AM

12.7.24

Still at it.

4:33 AM

12.8.24

It’s that time again. [plus a photo of a donut]

3:18 AM

12.9.24

How’s everybody doin’?

4:16 AM

12.11.24

Peek-A-Boo!

5:41 AM

12.12.24

on the trail of CONSCIOUSNESS

4:32 AM

12.14.24

Someone’s been busy [+a photograph of a box of Krispy Kremes]

12:45 AM

12.15.24

12:45 AM

3:00 AM

12.15.24

Imagine this is about donuts, that's my state of mind at 3:00AM. [Attached to a video of “Shrimp Boats.”]

5:01 AM

12.15.24

Would someone please pass the donuts.

4:34 AM

12.16.24

Time to check in.

3:32 AM

12.17.24

Just a quick one, I promise. Comment added: Umm....er... Not so quick. 3:32 to 4:43. & I make two blog posts!

4:02 AM

12.18.24

Me to Self: You just HAD to check our email?

2:28 AM

12.19.29

2:28 AM and the night is still young.

4:09 AM

12.19.29

Nag Nag Nag! U do the donuts, I got work to do. (4:09)

4:02 AM

12.20.24

Psssst. Anyone here? {4:02 AM}

4:49 AM

12.21.24

Up every night in Dec. so far but 6, 10 & 13.

12:46 AM

12.22.24  

12:46 AM and the night is still young. [Note: I’d gone to bed at about 8:15.]

3:17 AM

12.22.24

It’s been 2 1/2 hours since last check in.

5:14 AM

12.22.24

#3

2:38 AM

12.23.24

12° at 2:40AM in Hoboken

4:33 AM

12.23.24

11° at 4:34AM in Hoboken

2:54 AM

12.24.24

I tried to resist, I held out as long as I could. 2:54 AM

Comment to above: & now it's 3:51 AM. Back to bed...& maybe to sleep as well.

3:46 AM

12.25.24

Gotta put cookies out for the Big Guy. 3:46 AM

2:10 AM

12.26.24

Resistance is futile. 2:10 AM

4:22 AM

12.26.24

Curse those Borg! 4:22 AM

4:21 AM

12.27.24

What time is it, kids? [Howdy Doody opening]

4:09 AM

12.28.24

Not Doris Day. 4:09 AM [Clip of Pixies singing “Que Sera Sera.”]

2:46 AM

12.29.24

I cannot believe...

4:49 AM

12.29.24

AGAIN? 4:49AM

4:24 AM

12.30.24

Right on time: 4:24 AM

1:21 AM

12.31.24

Peek-a-boo!

Thursday, December 5, 2024

Coming out of a melancholy period [down phase]

I’m want to continue investigating my blogging pattern as I’ve discussed it in my recent 3 Quarks Daily article, Melancholy and Growth: Toward a Mindcraft for an Emerging World. This time I want to my daily activity for October and November.

This chart shows my daily posting activity during October and November. It’s been sparse during October, with many days where I didn’t post at all.

I had 30 posts in October, 15 in September, 18 in August, and 61 in July. So, I started going down in July, hit bottom in August and September, and started back up in November. Starting on the 15th I’ve posted every day – and I’m continuing to post daily in December.

That’s not all. I’ve gotten relatively little sleep for the last few days. I’d wake up during the night, start thinking, and then go to the computer and look around, maybe even write some stuff and do a post or two. Then I’d go back to bed. Maybe I’d sleep, but maybe I’d just lie in bed and think, sometimes on my back, which is not generally how I sleep.

[Note, by the way, that the practice of sleeping straight through the night is a cultural convention, not a biological necessity or preference. It’s called “segmented sleep.” I’ve got a number of posts about it.]

There’s more. During some of those night sessions I’d make a post on Facebook indicating I was awake. This started on November 22, where I posted a Dunkin’ Donuts commercial from the 1980s. This is one of those commercials featuring an owner of a Dunkin’ Donuts who awakens in the early morning, uttering “Time to make the donuts.” Here’s a list of those posts: first the time, then the date, and then the content of the post.

3:37 AM 11.22.24 – [Post a Dunkin’ Donuts TV commercial]
2:07 AM 11.24.24 – Again, I'm waking up in the middle of the night and thinking. What's next? Writing?
3:24 AM 11.24.24 – I’ve thought. Now back to sleep.
4:35 AM 11.24.24 – Back at it. More thinking.
11:31 AM 11.24.24 – I’ve spent the last two hours immersed in a remarkable line of thought. More later.
11:37 PM 11.25.24 – It’s been a productive day.

4:18 AM 12.1.24 – Awake in the middle of the night. Good thoughts. All’s well.
3:22 AM 12.2.24 – Middle of the night. Awake. Good thoughts.
4:02 AM 12.3.24 – 4:02 AM Tue 12.3.24 [I simply noted the time]
4:30 AM 12.4.24 – Just another marker.

Note that I’ve highlighted two of them. The content of the posts is like that of the other posts, but the first one went up late in the morning while the second went up late at night, after my normal bed time.I believe that first post, on the 25th, is when I began thinking about the implications for splintered career paths as AI becomes more deeply embedded in society.

The thoughts and ideas I have been having during this period are new and different. In particular this is the period where I decided, first, to write a 3QD article about my blogging habits, and second, to actually write the article. That article is a substantially new kind of intellectual activity for me.

If, as I’ve argued in my 3QD piece, those down-times are for the kind of mental reorganization that precedes a creative phase, one would expect new things to emerge [tumble out] at the start of an up-cycle.

Has this happened at the beginning of every up-cycle back to 2010, when I started blogging? I don’t know. I’ve not been keeping those kinds of records. I could go through the blog and take note of the content of every post to determine whether or not new stuff shows up immediately after every down cycle. That would take time, but I’m not going to do it now. I’ve got other things to do.

But looking at my blog posts won’t tell me anything about changes in my daily routine of the kind I’ve reported above. But I have been through this kind of thing before. It’s not new to me. It will slow down – it already is – it always does. And there are other night-notices scattered in Facebook, going a few years back. But I’m not going to look for them now.

Things to do.

More later.

Tuesday, December 3, 2024

More Growth, Melancholy, and MindCraft @3QD [revised and updated]

I’ve got a new article at 3 Quarks Daily: Melancholy and Growth: Toward a Mindcraft for an Emerging World.

I’m of two minds about it: On the one hand, I think it’s one of my best non-technical pieces in a decade, maybe more. I enjoyed doing it. I learned a lot. But it was tricky. The ending was not as good as it needs to be.

“Why not?” you may ask. I ran out of time. I had to upload it to meet the deadline. “Why did that happen?” you ask. I didn’t know where I was going. I started out with some great material – the charts of my blog posting frequency, the counts of tag numbers. But as the material developed, it started changing up on me. In a good way, mind you. But it was becoming a new piece, one based on the material I started with, but going in a different direction. I no longer had a sense out where this thing was going. Sure, by the time I had to upload I’d managed to reorient my thinking, but I didn’t have enough to reconfigure the last half of the article.

Still, I like it. It’s some of the best work I’ve done in a few years. 

* * * * *

In the rest of this post: 1) I lay out the core argument in prose, then in 2) I dissect that argument into roughly seven assertions, leading to 3) some final comments based on the Young Lady's Illustrated Primer in Neal Stephenson’s The Diamond Age.

The core argument

My argument starts with the following chart, which depicts my blogging activity since I first established New Savanna in April 2010. The chart is based on the number of posts I make per month.

The dominant feature of the chart is that it is very spiky; there are times when I make many posts per month and other times where I make very few. Furthermore, those ups and downs seem to be fairly regular, with the periods of low positing coming in the winter months. Now, since I lived the experience of producing those posts, and I felt (moderately and more) depressed during the slumps, that suggests that I might be prey to seasonal affective disorder (SAD), which appears to be organic in nature.

That hypothesis, however, is contradicted by my blogging in the last few years. In the article I present a chart that takes a closer look at the period. There we see two stretches where I’m down in the summer and up in the winter. That’s opposite of the pattern typical for SAD.

Something else seems to be going on. What? I argue that it’s creativity. Not only is it creativity during those last few years, but creativity’s been there all along. I further make a (highly speculative) argument that those slumps play a causal role in creativity. They are periods in which I withdraw from active participation in the world (in the form of writing blog posts, and associated activities) so that I can retool my mind/brain.

As empirical evidence for continuous creativity, I present growth in the number of blog tags, which now approaches 750. As I pursue new ideas, new interests, I add new tags to accommodate them. I estimate that my tag reservoir expands at the rate of 7% a year, compounded annually.

Once I’d made that argument I was faced with a problem: However interesting it is to me, why should anyone else care? I needed to generalize from the idiosyncrasies of my particular situation. I knew I’d have to do that when I started writing, but hadn’t thought it through. Faced with the need to actually generalize, I wasn’t sure just how to do it. I did it by way of talking about brain growth and neural development on the one hand, and then looking at changing patterns of education and full-time work, where career have become more fractured and there’s more need for learning and education in adulthood. That pattern will only intensify during the emergence and deployment of A.I.

So that’s the argument I made. But it could have been better if I’d conceived of it from the beginning.

Clarifying the core

The first phase of my overall argument is about depression and creativity in one person, me. The second phase generalizes the argument and draws implications for society.

FIRST PHASE

1. Graph of my posting habits also tracks my mood over the long term. That pattern over the last three years rules out SAD as an account of that pattern.

2. Increase in the number of tags/labels on posts is a crude proxy for mental growth.

3. Tag increase is consistent with the idea that long-term fluctuations in mood reflects long-term creativity. As correlation does not imply causation, that comparison doesn’t clinch the argument. The lack of a correlation, however, would count against the argument.

4. I suggest that my depressive periods are for mental reorganization that in turn enables further creativity.

SECOND PHASE

5. There is no reason to think that I my brain is idiosyncratic. Therefore we can suggest some broad areas for consideration.

6. The disappearance of long-term careers that follow a single path means that people increasingly are forced into mental reorganization so they can pursue a different career. This may lead to a period of depression. This emergence of multi-path careers is likely to be amplified by the adoption of AI into the workplace.

7. I was able to infer patterns of my long-term mental activity by examining my pattern of computer usage as reflected in my blogging activity. Are there other patterns of computer usage that can be used to track mental health? How can they be harnessed to mitigate the troubles caused by multipath careers?

Where I was headed: Young Lady's Primer

The article would have been still better if I’d realized that I was heading toward a somewhat expanded version of Young Lady's Illustrated Primer in Neal Stephenson’s The Diamond Age. The Primer is an interactive tutor that four-year-old Nell acquires early in the story and keeps with her through to the end. I’m in effect imagining a similar device that also monitors its owner’s state of mind. In that capacity the device could provide coaching and encouragement when needed, and arrange for virtual or in-person meetings with a human professional where needed. Beyond that ... well, use your imagination.

When will we have such a miracle? I don’t know. The future, that’s all we need to know in order to start working toward it.

I’ll be doing more work on this subject. 

Umm, err, and, yes, I know. Stephenson's Primer was in fact surreptitiously run by a woman who was in a position to minister to Nell in a way I'm describing for this new device, which won't be surreptitiously run be a human.

* * * * *

Note that I’ve done a number of posts here are New Savanna that support the 3 Quarks Daily piece. I’ve tagged them with “melancholy_mind,” a tag I’ll use for further work on this subject. In particular, I want to call your attention to the post, Neural maturation, cerebral plasticity, and the adaptive value of vacations, which I forgot to link in the 3QD piece. I find the discussion of vacations to be quite provocative.

AND, I've written about my daily blogging and sleep during October and November. I was coming out of a down-phase during the second half of November.

Monday, November 25, 2024

My Streaming Diet [Media Notes 145]

I’ve written previously about my posting habits over the long-term, posting charts showing wide variation over time, with periods lasting two to four months where I post very little, between longer periods with many posts per month, over a 100 in recent years. I’ve attributed this to mood swings; I’m depressed during periods when I’m not posting much. 

 

What do I do with my time when I’m not making many blog posts? I’m streaming a lot of movies and TV programs on Netflix and Amazon Prime and watching more YouTube videos that I otherwise do. I’ve been keeping a list of movies and TV programs since sometime in 2018. I’ve decided to post that list online as deep background for an article I’m preparing on my mood swings.  

 

The list is simple. I list the titles by year, and then by whether or not they’ve movies (films) or TV programs. I define movies as titles that are somewhat over an hour long and that reach a definite conclusion at the end of the title. This, I realize, is a crude criterion. There may, of course, be sequels. Everything else is a TV program. TV programs typically have multiple episodes and may or may not continue the same plotlines in the same story from one episode to the next. TV programs tend to have (somewhat shorter than) half-hour episodes or (somewhat shorter than) one-hour episodes. 

 

The distinction is rough, but reasonable. The list says almost nothing about how many episodes to a TV program I watch. In many cases I’ve watched all of the available episodes, which may stretch into the hundreds in some cases. I’ve watched some titles more than once and I’ve generally listed the title more than once.

* * * * *

2018 more or less

TV

Bourdain: A Cooks’ Tour, Parts Unknown
Death in Paradise
Shetland
Iron Fist
Luke Cage
Jessica Jones
Lilyhammer
The Get Down
Samurai Gourmet
The Ranch
The Chinese Mayor
The Crown
Sunny in Philadelphia
Bordertown
Sherlock
Master of None (Aziz Ansari)
Hip-Hop Evolution
Sense8
Fyre
Grace and Frankie
Jack Ryan
Lost in Space, S1
The Man in the High Castle
Transparent
Sneaky Pete

Movies

Jurassic Park, 1, 2, 3
Gimme the Loot (2 graffiti artists)
Sand Castle (war in the Middle East)
Road House (Patrick Swayze)
Indiana Jones, all of them
Ex Machina
One Mississippi
Running Man
American Playboy
Spectre
Wild Card
Julie & Julia

Friday, November 22, 2024

Time for another ramble: Melancholy, Claude, Bloom, Claude, Ring composition, and Other Stuff

It’s been a while since I’ve done one of these; May 29th was the last one. If you look over there to right at the Blog Archive you’ll see I’ve been on a posting slump, with 3-figure monthly totals from January through June, then a dip to 61 for July, August: 18, September: 15, October: 30, and now 33 for November as I write this, and the month isn’t over. Maybe I’m pulling out of the slump.

Anyhow, I’m feeling a little backed up with things to post about, so it’s time to ramble on and see what’s up.

Melancholy, Mind (Mine), and Growth

That’s the tentative title for my next 3 Quarks Daily article. Starting back in November 2017 I’ve been making occasional posts about my monthly posting habits, which tend to drop during the winter. I’m thinking of using that as the point of departure for my next 3QD piece, which will go up on December 2nd.

During those down times I’m depressed to one degree or another (melancholy). But why? Since those down times have been in the winter, perhaps its seasonal affective disorder (SAD). But that doesn’t square with all of the evidence. There was no down-time in the winder of 2022-2023 and 2023-2024, but there was a slump in the summer of 2023. Something else is going on, and I think it has to do with creativity. To that end I want to discuss the ridiculous blither of tags here, 665 by November or 2023.

Claude

I’ve starting working with Claude, Anthropic’s chatbot. I want to do some posts where I verify some of the work I’ve done with ChatGPT. I’m thinking of posts on stories, ontological structure, abstract definition, and the Girardian analysis of Jaws. I can then gather those into a working paper.

I also want to look at other things. At the moment I’m thinking of seeing how Claude summarizes longish documents. I’m thinking of the Hamlet chapter from Bloom’s Shakespeare book and Heart of Darkness.

Harold Bloom and GOAT literary critics

A year ago I began a series of posts on the theme of the greatest literary critics. I got bogged down in discussing Harold Bloom. It’s time to finish it off.

Bloom may well be as brilliant a literary critic as we’ve had in the last 50 or 60 years. But brilliance is one thing, greatness is another. Brilliance is a function of the individual, while greatness is a function of the relationship between an individual’s work and the arena in which they’re working.

I’m not sure about Bloom’s fit. While he’s got a wide readership, it’s not clear to me that scholars have taken up his work in any significant way. They may cite him – perhaps especially is concept of influence – but that they don’t much use of his ideas in his work. But we’ve also got to consider his work in the larger public arena, where he is hands-down the most prominent literary critic. I’m not sure of how to handle that.

However, if History wants to declare that Harold Bloom is one of the great all-time literary critics, maybe even the GOAT, what do I care? What would really bother me is if future critics should decide to take his work as a model and (attempt to) do more like it. Like most literary critics he’s neglected the study of form and he’s been deaf to the cognitive sciences. There’s little in his work that’s worth amplifying. It’s a dead end.

ChatGPT report

About a year or so ago I started writing a report summarizing my work on ChatGPT. I need to finish that report. I’d estimate the three-fourths or more are done. I’d like to be able to include some work with Claude. I don’t intend a lot on this, just enough to say that I’ve verified some things.

I’d like to finish this by the end of this year.

Why’s ring-form composition important?

That’s tricky. It has to do with the fact that literary works are extended in time, unlike the visual arts, which are static in time but extended in space. You can’t take the whole thing in at a glance like you can a painting.

There are constraints on how a literary work can unfold in time. There is a sense in which (the nature of) the end is inherent in the beginning. Ring-compositions are even more tightly constrained. Dylan Thomas consciously and deliberately plotted the ring-composition of the rhyme scheme in his “Author’s Prologue.” Rhyme is not about meaning; its patterns are arbitrary with respect to meaning. But Coleridge did not consciously work out the ring-compositions in “Kubla Khan,” not Conrad in Heart of Darkness. These patterns ARE NOT arbitrary with respect to meaning. On the contrary, they are central to how meaning is constituted.

Other Stuff

More Cobra Kai: Follow-up on my post where I explore the Freudian angle, saying a bit more about Girard, and extending that into history.

* *

More on meaning in LLMs: I’ve suggested that Ilya Sutskyver conflates mistakenly (and unknowingly?) conflates cognitive and semantic structure with the structure of the world and so suggests that robust next-token prediction requires knowledge of the world. In this post I argue that making that distinction is, in fact, difficult, and involves what I’ve been calling the word illusion. I first confronted the problem as an undergraduate when I was trying to understanding the difference between the signified, and mental structure, and the reference, something in the world, of a sign. I may not have gotten deep intuitions about that until I began studying cognitive networks in graduate school.

* *

Gila-monster venom and computational irreducibility: The idea is to start with a NYTimes article on drug discovery that starts with Gila-monster venom and ends up with Wolfram’s concept of computational irreducibility. This is about search, computation, and the complex and irregular structure of the (natural world).

* *

My work with Ramesh: Notes on conceptual ontology and hypergraphs in conceptual space.

* *

LLMs and literary study: Can we use LLMs to analyze the thematic structure of literary texts?

In particular, can we use them to examine Bloom’s these about Shakespeare as “inventing” the human. Are there themes that appear first in Shakespeare? We need more than Bloom’s vigorous assertion on this. We need to examine the thematic structure of prior texts and of Shakespeare’s texts and show that there are things new in Shakespeare. Do those new things then continue if texts after Shakespeare? To do this properly we need to examine a lot of texts.

I’d also like to know if LLMs could be used to find ring-composition in literary texts. It is by no means obvious to me that they can.