The rise of DIY rituals in the 21st century

YouTube:

Can Rituals Save Us? | Robert Wright & Bruce Feiler

0:00 Teaser
0:52 Bruce’s new book on ritual, A Time to Gather
3:12 The "Lifequake" that led Bruce to study ritual
8:10 The current "shadow ritual" renaissance
12:42 What is a ritual?
15:26 The origins of the shadow ritual renaissance
18:25 Forest bathing and the essence of ritual
26:11 Ritual as the original human algorithm
31:39 Honor walks: a quintessentially modern ritual
36:23 Rituals across Christianity
42:07 What rituals do
46:47 Heading to Overtime

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I discuss ritual in my book on music, Beethoven's Anvil: Music in Mind and Culture, pp. 79-82:

Subjectivity is an aspect of neurodynamics, and neurodynamics is open to the world through sensory organs and through the motor system. When people are coupled with one another through musicking, each steers her own raft of subjectivity in the collective sea of neurodynamics. The motions of each raft are transmitted to the others through the sea, as Huygens’ clocks transmitted vibrations to one another through the walls. These subjectivities thus adjust themselves one to the other, for they are all components of the same process.

Let us reconsider, then, the musicking with which we opened this chapter. We were at a party where lots of musicians were jamming. Near the end of a jam on Bob Dylan’s “Knocking on Heaven’s Door,” several people spontaneously joined in on the refrain. It wasn’t planned ahead of time, nor did those singers discuss it among themselves while the rest of us were playing.

When I originally told the story I talked of my deliberate intention to “drive” the group by playing a simple line and “bearing down.” That decision was a conscious one, though not as clear and differentiated as it may seem when I spell it out in words, and it resulted in a certain shift of my consciousness. “Bearing down” is something I do quite often when playing. It involves attending to and adjusting the tension in my trunk musculature but has no specific differentiated effect on the music beyond a certain intensity and emotional tone. In this case I was playing a very simple melodic line, but I will also bear down while playing the most complex lines. In that situation, my fingers and tongue may be spitting out 10s of notes per second, but they’re on their own; I’m still attending to muscles in my abdomen, shoulders and back, and my buttocks. Those are the muscles that most strongly affect the overall airflow, and that’s what I care about when I’m bearing down.

And that, by our conception of consciousness, is where my nervous system is reorganizing and making minute adjustments. I have no introspective awareness, of course, of just what neural areas are reorganizing, but I’d guess that we are dealing with circuitry involving both emotional expression and voluntary control of large muscles. Even as I am attending to those muscles, I am always listening to the sound, not just mine, but the group’s. I’m bearing down just so in order that the sound I hear may also be just so. But my sound is only a part of the group sound and, at this particular point, it was a subordinate part. What this means is that my nervous system’s reorganizational activity is responsive to the sound made by each and every person in the musicking group. I am attuning my motor and emotive system to the sound that is the joint activity of this group. And each one in the group is, in turn, doing the same thing. Each one, merely by being a conscious musician, is making minute adjustments to his nervous system in response to the sounds that all are creating.

We are now in territory explored by Walter Freeman in a recent essay on music and social bonding. Freeman is interested in those rituals where a core group of celebrants move from one status in society to another, as from child to adult or single to married. In these rituals, as individuals are conveyed from one social status to another—recall our discussion in the previous chapter—they require changes in the collective neuropil. Funerals, of course, are also in this class. As the bodies of the dead are conveyed to a final resting place, the living must disengage from their attachments to those who are no longer among the living. In this case, and entire persona (see Figure 1 in the previous chapter) must be disengaged from active use in the collective neuropil. Conversely, when a child is born, the group must undertake a ritual that creates a new persona in the collective neuropil.

In all of these situations the bonds between individuals must be altered in fundamental ways that require considerable neural reorganizing. Freeman suggests that such rituals involve a neuropeptide called oxytocin. He asserts that oxytocin "appears to act by dissolving preexisting learning by loosening the synaptic connections in which prior knowledge is held. This opens an opportunity for learning new knowledge. The meltdown does not instill knowledge. It clears the path for the acquisition of new understanding through behavioral actions that are shared with others.” As the oxytocinated individuals are moving to the rhythms of well-established ritual, their synaptic connections are restructured in patterns guided and influenced by the events in the ritual. Obviously, the microdynamics of each individual will be unique; but they will be shaped by rhythmic patterns common to all . These rituals provide a space in which individuals can mold themselves to one another as the infant molds her actions to those of her mother.

Such ritual would likely have benefits on less extreme occasions than those requiring the restructuring of social relations—think of our little jam session. Social life is difficult and taxing. Hostilities build up. Such ritual may well help take the edge off of growing tensions, reconciling individuals to one another and allowing them to “reset” their relationships on more favorable terms.

Thus we have another core hypothesis:

Freeman’s Hypothesis: By attending to one another through musicking, performers attune their nervous systems to one another, restructuring their representations of others. This results in more harmonious interactions within the group.

Each individual consciousness may be an island of Cartesian subjectivity, but in the close coupling of musicking, those subjectivities are intimately and delicately conditioned and regulated by one another.

Perhaps such rituals play a role in helping to establish and maintain the subjective continuity of the neural self. By entering into a wide variety of emotional states (with their various neurochemical substrates) in a socially controlled situation, individuals in a community ritual create an "equal access zone" in mental space where each can experience and contemplate extremes of joy and anger, tenderness and hate, and know that all these feelings have a place in their shared world.