The nature of language rhythm affects rhythmic pratice in speakers of a language
Have you ever wondered whether the way you speak, the language and the particular accent you use, affect the kind of music you write? In this video I look at the fascinating research into this area that has indeed found people with different languages and even accents do end up writing different kinds of music.
Micro-rhythm is a term used to describe the "wonky" rhythms found in musical traditions like Samba da Roda, Morrocan Gnawa, the Viennese Waltz, as well as in neo-soul like D'Angelo and jazz musicians like Errol Garner and Malcolm Braff and Jacob Collier. I take you through some examples.