EKG @ Graffuturism: Degree Oblivion (an autobiographic theoretical essay) [abridged]

EKG states the case:

the passion drive output strategy and remnants of an artist’s street actions schematize, render and broadcast a portrait of the artist’s identity and personality. choosing to use illegal aesthetic manifestations as a means of transmission imbues the artists statement with the aura of rebellion and revolution, inherently defining them as anti-status quo marks, ironically defined by the very structures and mechanisms that deny and censor them, the dominant class evident metaphorically in every detail of the architecture and infrastructure of any urban space, but individuals are the heart of all cities, semiotic bootleggers, values and transactions defined by individualistic human motives, love affairs and communities connected, alternative distribution channels, a mutant frequency, an underground wavelength, an under-cover-of-dark methodology protocols operations algorithms, each illegal aesthetic action creating a meta-tag, a link to an identity, another philosophy, another universe of singular depth and horizon, a data flux across aetherial transcircuitry, through arterial architecture, these signs of creation and signifiers of life decoordinate and re-systematize en masse representing the pulse of the city as a grid of many intersecting matrices, the heartbeat of the city, the voice of the populace, the will of the people

Let if flow….